BARBARA NOAH

Apogee II, archival pigment print, 30 1/8” x 30 7/8”, from Cross Section series
Inside a mitt shape, a whiffle ball as a satellite moon of Earth and a future-shock emoji face
witnessing climate change.

©2004 Barbara Noah, all rights reserved, on changes and additions to original, pre-edited earth image courtesy of Earth
Sciences and Image Analysis Lab, NASA Johnson Space Center.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images, but not on the original
outer space images themselves.

Pop, archival pigment print, 19 7/8” x 28 1/2”, from Cross Section series
A delicate bubble in the sky inside the abstracted shape of my father’s hat.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images, but not on the original outer space
images themselves.

Spent, archival pigment print, 20 3/8” x 15 3/8”
from Cross Section series
A fire inferno inside of the shape of a melting snowman.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to
the outer space images, but not on the original outer space images themselves.

Hat Trick 2, cut intaglio etching & relief roll on paper
16 ½” x 9”, from Mirror, Mirror series
A simulated face inside the silhouette of a rabbit. The title
is a reference to pulling a rabbit out of a hat.

©Barbara Noah on the text, unless otherwise noted, and on the changes
and additions to the outer space images, but not on the original outer space
images themselves.

Pioneer 7, unique etching collage on paper
13 3/4” x 9 3/4”. from Mirror, Mirror series
A ghost head and desert images simulate a striding figure.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to
the outer space images, but not on the original outer space images themselves.

I’m Fine, Really, unique etching on paper
14 3/8” x 9 1/2”, from Personae series
A burning house and desert rock formation simulate a face.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions
to the outer space images, but not on the original outer space images themselves.

Alchera, oil on photo emulsion on paper
41 5/8” x 26 3/8” x 1 ½”, from Personae series
A solar flare, splashing rocks, and desert rock formation
simulate a face.

©1990 Barbara Noah, all rights reserved, on rock and water images, hand-coloring,
and on changes and additions to original, sunstorm image courtesy of Herman Dittmer.

©Barbara Noah on the text, unless otherwise noted, and on the changes and
additions to the outer space images, but not on the original outer space images
themselves.

Reverie, oil on photo emulsion on paper
67” x 33 7/8” x 1 ¼”, from Personae series
Tornado, bent metal, & ring nebula simulate a face.

©1990 Barbara Noah, all rights reserved on center image, hand
coloring, and changes and additions to originals, tornado image
courtesy of National Severe Storms Lab, and Ring Nebula image
courtesy of Herman Dittmer.

©Barbara Noah on the text, unless otherwise noted, and on the
changes and additions to the outer space images, but not on the
original outer space images themselves.

Big A.P. 4, etching on paper
19” x 7 1/2”, from Personae series
A Mt. St. Helens ash cloud, ravaged
driftwood, & a galaxy simulate a face.

©1988 Barbara Noah, all rights reserved, on center image, hand
coloring, and on changes and additions to originals, galaxy image
courtesy of Herman Dittmer, and Mt. St. Helens eruption image
courtesy of USGS.

©Barbara Noah on the text, unless otherwise noted,
and on the changes and additions to the outer space
images, but not on the original outer space images themselves.

Compact 2 , Cibachrome, cosmetic compact, picture jasper
2 1/2"” x 3 1/8” x 3 1/4”, from Personae series
An image of the Pleaides as the mirror image in a cosmetic compact.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images, but not on
the original outer space images themselves.

Rock, Paper, Scissors, ©Barbara Noah, Plexiglas, lights, timers, 82” high
3 of 7 windows for the Canal Substation, Seattle
Some of the silhouettes representing various forms of power (here physical power) in the windows of an electrical facility.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images, but not on the original outer space images themselves.

Love, Plexiglas, lights, timers, 82” high
1 of 7 windows for the Canal Substation, Seattle
A silhouette in the window of an electrical substation as 1 of 7 windows representing
various forms of power, in this case, Love.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images,
but not on the original outer space images themselves.

Earth As Bowling Ball II, oil on photo emulsion on linen, 72” x 72”
The Earth transformed into a bowling ball or panicky emoji face, revolving in more ways than
one, and headed for a strike or climate change calamity.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images, but not
on the original outer space images themselves.

Refugees, oil on photo emulsion on linen, enamel on clay, wood, 21 5/8” x 61” x 3 7/8”
From Tampering with Evidence series; migrating anthropomorphic rock formations in 2D and 3D unison.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images, but not on the original outer space images themselves.

Evidence of Body Language & Other Lines of Communication
oil on photo emulsion on linen, enamel, clay, wood, copper powder, wax, 21 5/8” x 61” x 3 7/8”
From Tampering with Evidence series; anthropomorphic rocks, lines of force, and figuration beneath a copper sky.

©Barbara Noah on the text, unless otherwise noted, and on the changes and additions to the outer space images, but not on the original outer space images themselves.